f
any Gilbert and Sullivan operetta bears the stamp of New York, it is
surely "Pirates of Penzance," which, for all show business purposes,
had its world premiere engagement at the Fifth Avenue Theater, where
it opened on Dec. 31, 1879.
So little wonder that the good-natured, wisecracking,
devil-may-care version running (and otherwise cavorting) through
Sept. 30 on the deck beneath the towering masts and rigging aboard
the good ship Peking at the South Street Seaport carries so audible
a cargo of New York attitude.
Jettisoning reverence and taking all sorts of liberties with the
tale of the rocky road to romance of the dutiful young Frederic,
indentured to pirates till his 21st birthday, this adaptation by
Michael Scheman, the director, and Steven Gross, the musical
director, pays lip service to its hallowed source while injecting
the high jinks with a healthy dose of early 21st-century
references.
Musically, this intermissionless, roughly 90-minute show rocks,
raps and resorts to swing, gospel, Latin rhythms and barbershop
harmony. Choreographically, it boogies, applies Elvis to the pelvis,
dances the hora and gets down on its back and kicks up its heels in
tribute to Busby Berkeley. In various ways it refers to "West Side
Story," "Cats," "The Sound of Music," Disney's "Aida" and "42nd
Street." It costumes its cast in cheerleader outfits, jeans, biker
boots, T-shirts, baseball caps, running shoes, sandals and
shades.
And it fills mouths with street language, double entendres and
gossip column bon bons like Madonna, Miramax, Donald and Ivana Trump
and Viagra, while not ignoring Page 1 names like Bush, Cheney,
Clinton and Nixon or the gossip column and front- page squire of
Gracie Mansion. The show also finds time to take digs at corporate
life and to pause briefly on Kosovo and the human genome, and never
shies from making fun of itself or its creators, for that
matter.
Colin Hanlon conveys a suitable innocence as Frederic. Montego
Glover brings a winsome passion to Mabel, his love. And Jonathan
Brody as the Pirate King finds the proper balance between menacing
appearance and soft heart. In the hard- working cast, most of the
evening's performing fun falls to Martin Van Treuren in two roles:
Frederic's campy nursemaid, Ruth, played in drag, and the bushy
browed Major General Stanley, whose daughters are imperiled by the
pirates.
Carrying classic tunes like "I Am the Very Model of a Modern
Major General," "When the Foeman Bares His Steel" and "With Cat-Like
Tread," this "Pirates" offers the faithful some G.&S.
sustenance, though purists may gnash their dentures at alterations
in the lyrics and the importation of music from "Ruddigore" and "The
Mikado." The uninitiated will find plenty to amuse ear and eye as
the playful action and audience move around the deck.
This is definitely a "Pirates" with a difference. What it lacks
here and there in overall polish is compensated by zest. The true
test of the show comes when darkness falls over Lower Manhattan and
eyes that shift momentarily westward from the antics on deck
encounter the lighted windows staring back from the financial area's
skyscrapers, engaged in the ceaseless commerce of the global
economy.
The sight comes as something of a shock, and the realization
follows that without leaving its berth, the Peking, from the era of
sail, and this high-spirited "Pirates of Penzance," from the age of
Victoria, are providing a refreshing get-away-from-it-all voyage
into a warm night's fun.
PIRATES OF PENZANCE
Original book and lyrics by W. S. Gilbert; music by Arthur
Sullivan; directed and adapted by Michael Scheman; musical
direction, adaptation and arrangements by Steven Gross; production
stage manager, B. J. Forman; costumes and properties by Dawn Robyn
Petrlik; lighting by Stephen Quandt; sound by Carlos Garcia.
Associate producers, Mary Ellen Ashley and Anne Bernstein. Presented
by On Deck Entertainment, Diane Krausz and Brett Singer &
Associates. At the Peking Ship, South Street Seaport Museum, Pier
17, Lower Manhattan.
WITH: Colin Hanlon (Frederic), Jonathan Brody (Pirate King),
Martin Van Treuren (Ruth/Major General), Montego Glover (Mabel),
Kevin Covert (Police Sergeant/Ensemble), Mike Lesser (Gilbert) and
Sue Gilad (Sullivan).